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Veröffentlicht Hauke Nitsch | Dienstag, 23. Januar 2018

This logo had two black plastic rivets holding the logo to the case exterior. Gibson Les Paul Deluxe reissue control diagram. It uses two 50 Watt output transformers in its power section, just like the original did in

Many other models suffered the same miserable fate of being over mass-produced and cheapened by corporate zealots. The exterior case logos used through the years. The guitar featured three pickups, the added toggle control, extra fretboard inlay on the first fret, and had no Letraset sticker, as well as an additional volume control for an added piezo pickup.

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This decade produced guitars with one-piece maple necks, single layer pickguards, thin spaghetti logos, and tweed cases that seem to capture collectors the most. This article is about the Paris firm. In most cases, the stamp was smudged beyond legibility or the stamps were incomplete. Here is a timeline of the format the dates, and how they were printed: For example, the Jennings case had no leather ends, and were covered in thin brown vinyl tweed with dark pressed metal corners.

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This era is known as a transition because later summer to December was the time when there was a transition from the Leo Fender management to CBS management, and mass-production manufacturing techniques were starting to take a firm hold. Reissue saddles look exactly the same but are stamped Fender Fender. About Fenders made between and were examined. Starting a the right we have the letter B. There was no tail under the Fender logo. Click here for a picture of the shim used during the s and s.

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1960s Selmer Amp Demo - North American Amp Museum

Rosewood fingerboard, Slab Brazilian , to The top row of knobs are ABS, the bottom row are bakelite polystyrene. Note early Strat knobs have a different and taller shape than late and later knobs. Write or phone for details and free brochure to:. But the is not the month and year.

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Early to cases have no exterior Fender logo. Fender used single line Kluson tuners, that had Kluson Deluxe stamped in a single vertical row like and later Klusons ; these are easily identified as early Klusons and not and later Klusons because PAT APPLD is also stamped below the vertical Deluxe marking. CRL 3-way switch with three patent numbers and the bakelite with flat side cuts. The nails were still used, but now only for the drying process and were no longer needed during painting. Switch made of metal and a fiberous brown bakelite type material holding the switch contact that has flat side cuts. The jack cup on Telecasters changed through the years.

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Likewise, in Fender introduced another top of the line instrument called the Jaguar. So that gives us 49 00 3 where: Henri Selmer Paris company is a French -based international family-owned enterprise, manufacturer of musical instruments based at Mantes-la-Ville near Paris, France. Most gray bottom pickup assemblies have at least one pickup with a hand written date.

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This logo had two black plastic rivets holding the logo to the case exterior. Guitars with plastic knobs Stratocaster, Jazzmaster, etc. I wish I did. The Telecaster, Esquire, Precision Bass, etc, because of their metal knob configuration, used smooth solid shaft pots. The interior material of these cases generally will match the descriptions below, but the exteriors will not. The Life and Music of a Gypsy Legend , p.

The neck stamp used from to can be extracted by working from the outside inward. Penciled by hand below the truss rod adjustment at the butt end of the neck in M-YY format. PT Rick, courtesy Mike P.

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Fender used a single layer white pickguard material made from ABS or vinyl about. Our goal for this handwired re-issue is both obvious and simple — to make it as identical to the late originals as possible. Again the return rate, this time due to damage in transit, was significant.

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CBS looked for ways to cut production time and costs, which generally led to much lower quality. But the is not the month and year. Now most collectors interested in these models do so because they can not afford a vintage Strat or Tele. He and his ARP synthesizers produce some of the most incredibly creative music of our time.

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LIVE is already an extraordinary composing tool, with big real-time capability that I have never thought I could ever use. See below for more info. Retrieved 7 January Guitar eqiupment section navigation Guitar equipment section navigation Overviews: The early 's Fenders with slab rosewood fingerboards are also collectible, but not to the extent of the earlier 's maple-neck era. The three covers on the insides are bakelite actually polystyrene, but collectors refer to it incorrectly as bakelite.

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